Series Name: Critical Essays on British Literature; Hugh M. Richmond The full range of literary traditions comes to life in the Twayne Critical Essays Series.
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Gale Literary Criticism Series Provides immediate critical essays on a wide range of authors, usually giving a general overview of a writer's work or themes. If author's death date is: You should turn to: After Dec. The following titles are a selection of bibliographies on criticism.
Dyson, A. Extensive selection of criticism up to on major English poets from Chaucer to Eliot.
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Martinez, Nancy C. Guide to British Poetry Explication. Cites major interpretations of works by major poets. Each volume v. Old English, Medieval -- v.
BBC - Culture - The greatest British novels
Renaissance -- v. Restoration-Romantic -- v. Victorian-Contemporary is arranged alphabetically by author and title.
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Kuntz, Joseph Marshall and Nancy C. REF Z P7K8 A list of articles, published in books and journals from , that explains poems by major authors. Poem titles are arranged alphabetically beneath each author entry.
Alexander, Harriet Semmes. P7A44 Eichelberger, Clayton L. A "preliminary" list of 20, critical notices of works of American fiction in two volumes.
Twentieth Century British Literature Post-1940 Scholarly Materials
Cassis, A. It is from the critical contributions by Frye, Erdman, Hagstrum, Mitchell, Paley, and Essick that Adams selects six of the sixteen essays as representative examples of modern Blake scholarship.
In part two of his introduction Adams provides a rationale for having selected the sixteen essays reprinted for this volume, and for dividing the collection into two parts. Although the majority of these essays are quite familiar, they are included together here as examples of attitudes toward Blake during his lifetime.
The second part of this volume draws from recent Blake criticism and is, according to Adams, meant to be read sequentially. The inclusion of these three essays by Paley, Shaviro, and Essick, produces a radically different Blake than the one presented in the earlier essays in part two by Frye, Erdman, Hagstrum, and Mitchell.
In order to remedy this disparity, it would be more useful to the student unfamiliar with contemporary critical discourse, or for the generalist audience for whom the book is intended, to have divided the book into three sections, with the third section devoted to postmodern approaches to Blake. Critical Essays on William Blake.